Author Archives: Ann Warde

Hidden Encounters – The Global Composition 2018

Conference on Sound, Ecology, and Media Culture Darmstadt University of Applied Sciences Media Campus Dieburg, Germany 4-7 October 2018 more

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Hidden Encounters – Nicosia, Cyprus

Interfaces Network Residency European University Cyprus and the Creative Europe Programme of the European Union An interactive sound installation exploring the voices of animals living in Cyprus, at the lovely Meres Bookstore, 33 Pentadaktylou, 1016 Nicosia. Thank you to the … Continue reading

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Visual Music

The Line Theater (1984) is an analog, physical mechanism for making visual music. Made of a black fabric screen framed by wooden two-by-fours, with the help of hooks and other metal hardware, differently sized ropes and threads are manipulated, mostly from … Continue reading

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VCCA 2018

As a composer, sound artist, and researcher, I’m interested in sounds we perceive as “inside” or “outside” performance, and in the ambiguities that may arise at boundaries between them. I’m  exploring this idea in a set of pieces for solo … Continue reading

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Doubtful Sound

Seminar: The Power of Musical Networks Orpheus Institute, Ghent, Belgium 22 February 2018

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Non-Human Temporalities

Songs of Black-capped Vireos and Blue Whales Out of Time Conference Society for Literature, Science, and the Arts Arizona State University, Tempe, AZ 10 November 2017

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Experimental Music & D’Arcy Thompson’s On Growth and Form

On Growth and Form in Experimental Composition and Analysis: Music by Pozzi Escot and James Tenney On Growth and Form 100 conference – Dundee and St Andrews, Scotland Univerisity of Dundee, 15 October 2017 Research Seminar at the University of … Continue reading

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Amplified Silence @ Ithaca Porchfest

. . . preparing a performance of Cartridge Music (John Cage, 1960)

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Music, Animal Sounds, Perception

Animal Voices in Three Compositions: – Olivier Messiaen, VI. L’alouette lulu (Excerpt With WoodLark) (1956_58) – Dawn’s Chorus (2008) – Imagined Environments (2016) Ithaca College, Ithaca, NY Composition Seminar 25 April 2017

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VCCA 2017

At the Virginia Center for the Contemporary Arts, along with field recording in the Blue Mountains, an overnight autonomous recording I made through an open window unexpectedly captured coyote voices. And during preparation for a performance, I realized there were … Continue reading

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