Category Archives: Artwork

Sound Installations

Three recent sound installations stem from a 2016 installation called Radically Different Perceptions, which included speakers distributed throughout the Orpheus Institute building, in Ghent, Belgium. Each of these three distinct works is in itself a specific realization — a pause … Continue reading

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Recent Presentations

4 March 2020 HPSCHD@50, Harpsichord performerKrannert Center for the Performing Arts, University of Illinois, Urbana-Champaign, IL 3 March 2020 HPSCHD@50 Composers Forum, University of Illinois, Urbana-Champaign, ILHappening People Smiling, Cage ‘n’ Hiller Dancing 28 February 2020 HPSCHD@50 Symposium, Northwestern University, … Continue reading

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2019

2019 NYSCA/NYFA Fellow in Music/Sound Tone Deaf Festival, Kingston, Ontario18-22 November 2019Hidden Encounters, interactive sound installationSounds: the Cyprus Scops owl was recorded by Julia WittmanCoyote + Blue Jay recordings: Ann WardeSee links for Sperm whale and Blue Whale + Bearded … Continue reading

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Hidden Encounters – The Global Composition 2018

Conference on Sound, Ecology, and Media Culture Darmstadt University of Applied Sciences Media Campus Dieburg, Germany 4-7 October 2018 more

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Hidden Encounters – Nicosia, Cyprus

Interfaces Network Residency European University Cyprus and the Creative Europe Programme of the European Union An interactive sound installation exploring the voices of animals living in Cyprus, at the lovely Meres Bookstore, 33 Pentadaktylou, 1016 Nicosia. Thank you to the … Continue reading

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Visual Music

The Line Theater (1984) is an analog, physical mechanism for making visual music. Made of a black fabric screen framed by wooden two-by-fours, with the help of hooks and other metal hardware, differently sized ropes and threads are manipulated, mostly from … Continue reading

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VCCA 2018

As a composer, sound artist, and researcher, I’m interested in sounds we perceive as “inside” or “outside” performance, and in the ambiguities that may arise at boundaries between them. I’m  exploring this idea in a set of pieces for solo … Continue reading

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VCCA 2017

At the Virginia Center for the Contemporary Arts, along with field recording in the Blue Mountains, an overnight autonomous recording I made through an open window unexpectedly captured coyote voices. And during preparation for a performance, I realized there were … Continue reading

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The Spaces of Animal Voices

During 2015-16 I worked at the Contemporary Music Research Centre, at the University of York, investigating ways to listen to spatial interactions among animal sounds, and to how sound changes as it travels through air and water. How might music … Continue reading

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Patrick Wood

Four Hands Vier Hände Pomfret School, Connecticut November 2015

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