Research

Charles A. Muirhead, Ann M. Warde, Ingrid S. Biedron, A. Nicole Mihnovets, Christopher W. Clark, Aaron N. Rice. Seasonal acoustic occurrence of blue, fin, and North Atlantic right whales in the New York Bight. Aquatic Conservation: Marine and Freshwater Ecosystems, 1–10 (early view online), 2018. https://doi.org/10.1002/aqc.2874
Genevieve E. Davis, Mark F. Baumgartner, Julianne M. Bonnell, Joel Bell, Catherine Berchok, Jacqueline Bort Thornton, Solange Brault, Gary Buchanan, Russell A. Charif, Danielle Cholewiak, Christopher W. Clark, Peter Corkeron, Julien Delarue, Kathleen Dudzinski, Leila Hatch, John Hildebrand, Lynne Hodge, Holger Klinck, Scott Kraus, Bruce Martin, David K. Mellinger, Hilary Moors-Murphy, Sharon Nieukirk, Douglas P. Nowacek, Susan Parks, Andrew J. Read, Aaron N. Rice, Denise Risch, Ana Širović, Melissa Soldevilla, Kate Stafford, Joy E. Stanistreet, Erin Summers, Sean Todd, Ann Warde, Sofie M. Van Parijs. Long-term passive acoustic recordings track the changing distribution of North Atlantic right whales (Eubalaena glacialis) from 2004 to 2014. www.nature.com/ScientificReports, 7:13460, 2017. DOI:10.1038/s41598-017-13359-3
Towards a Critical Musical Practice
Sound Work: Composition as Technical Practice
presentation: Orpheus Institute, Ghent, Belgium, 2016
Spectromorphology, human affinities, animal voices
presentatation: MuSA, Karlsruhe, Germany, 2016
The Spaces of Animal Voices: in the ears of elephants and whales
presentation: Sounds in Space, University of Derby, UK, 2016
The Spaces of Animal Voices
presentation: University of York, UK, 2016
Scientific Listening: Representing and exploring dynamic animal soundscapes
presentation: University of St Andrews & Plymouth University, UK, 2016
Scientific Listening: Radical Perception?
Performance, Subjectivity and Experimentation in Artistic Research
lecture/performance: Orpheus Institute, Ghent, Belgium, 2016
Scientific Listening:
Representing and exploring dynamic animal soundscapes (interim report)
presentation: University of York, UK, 2016
“My God! What has sound got to do with music?”
Gesture and relationship as compositional materials in two pieces by Christian Wolff
presentation: Christian Wolff Study Days, Orpheus Institute, Ghent, Belgium, 2015
Enigmatic Findings: Discovering large cetacean vocalizations
Panelist – Listening to Nature: The sounds of conservation
American Society for Environmental History, Washington, D.C., 2015
Listening to Birds in Flight: Sonification of migration pathway data
with Sharinne Sukhnanand & Daniel Fink
presentation: Deep Listening Art/Science: The 2nd Annual International Conference, Troy, NY, 2014
Humpback Whales: Composers of the sea
presentation, with Katy Payne: Cornell Lab of Ornithology Monday Night Seminar, Ithaca, NY, 2014
Erasing the Glitch
invited talk: f(Glitch): The function of Glitch Colloquia, Stony Brook, NY, 2014
Listeners are observers and musicians
& Round Table: Hearing vs. listening, artistic and scientific perspectives
invited talk: Deep Listening Art/Science: The 1st Annual International Conference, Troy, NY,2013
Charif, R., Rahaman, A., Muirhead, C., Pitzrick, M., Warde, A., Hall, J., Pyc, C., Clark, C. Bowhead whale acoustic activity in the southeast Beaufort Sea during late summer 2008-2010. Journal of the Acoustical Society of America, 134(6), 4323-4334, 2013.
Dugan, P., Ponirakis, D., Zollweg, J., Pitzrick, M., Morano, J., Warde, A., Rice, A., Clark, C., Van Parijs, S. SEDNA – Bioacoustic analysis toolbox. OCEANS 2011, 1-10, 2011.
Charif, R., Warde, A., Ponirakis, D., Murray, A., Muirhead, C., Pitzrick, M., Clark, C., Wisdom, S., Rea, C. Results and insights from operational acoustic monitoring networks in the Chukchi Sea, Summer-Fall 2006 and 2008. Journal of the Acoustical Society of America, 127(3), 1758, 2010.
Clark, C., Ellison, W., Southall, B., Frankel, A., Ponirakis, D., Tremblay, C., Warde, A., Spaulding, E.  Results and insights from acoustic monitoring networks. Journal of the Acoustical Society of America, 125(4), 2457, 2009.
Tremblay, C., Calupca, T., Clark, C., Robbins, M., Spaulding, E., Warde, A., Kemp, J., and Newhall, K.  Autonomous seafloor recorders and autodetection buoys to monitor whale activity for long‐term and near‐real‐time applications. Journal of the Acoustical Society of America, 125 (4), 2548-2548, 2009.
SOUNDSHAPE Soundscape
invited talk: Listening to Birds Symposium, University of Aberdeen, UK, 2009
Determining seasonal occurrence and distribution of North Atlantic right whales (Eubalaena glacialis) off New York Harbor and Long Island using passive acoustic monitoring
presentation: North Atlantic Right Whale Consortium Annual Meeting, New Bedford, MA, 2008
Clark, C., Tremblay, C., Fowler, M., Diamond, C., Ponirakis, D., McCarthy, C., Morano, J., Muirhead, C., Murray, A., Rowland, L., Vannicola, C., Warde, A. Monitoring, measuring and describing ocean noise over ecologically viable scales with applications to impacts on large whales. Journal of the Acoustical Society of America, 123(5), 2987, 2008.
Baumgartner, M., Van Parijs, S., Wenzel, F., Tremblay, C., Esch, H.C., Warde, A. Low frequency vocalizations attributed to sei whales (Balaenoptera borealis). Journal of the Acoustical Society of America, 124 (2), 1339-1349, 2008.
Natural Sound: Science, Music, Experiment–Early Macaulay Library recordings
and some listening they inspired

presentation: Cornell Lab of Ornithology Monday Night Seminar, Ithaca, NY, 2007
Nightingale Song: Musical analysis, scientific synthesis
invited talk: Nightingalia conference, Sibelius Institute, Finland, 2007
Broadband sound production by feeding blue whales (Balaenoptera musculus)
Lucia DiIorio, Manuel Castellote, Ann Warde, Christopher W. Clark
poster: Society for Marine Mammals conference, San Diego, CA, 2005
Singing the notes between the keys
presentation, with Martin Hatch: Society for Ethnomusicology conference, Atlanta, GA, 2005
Composing music for electro-acoustic environments
presentation: Media Ecology conference, Rochester, NY, 2004
Ann Warde. Contemporary Indonesian Composition: Elastic-Edged Experimentalism. Asian Music, 34 (1),  111-153, Fall/Winter 2002-03.
Ann Warde. Reviews of Albert Glinsky, Theremin: Ether Music and Espionage and Mother Mallard’s Portable Masterpiece Co. 1974-1976: Like A Duck To Water. Computer Music Journal, 26 (3), 84-86, Fall 2002.
Ann Warde. Review of The Poetics of Simple Mathematics in Music, by Pozzi Escot. Computer Music Journal, 25 (1), 67-68, Spring 2001.
Towards a simultaneous differentiation of musical systems: the use of catastrophe theory, envelope structures, and real-time re-synthesis in an interactive performance environment
presentation: The 8th Biennial Symposium on Arts and Technology, New London, CT, 2001
Catastrophe theory and musical composition
presentation: Cornell University Society for the Humanities, Ithaca, NY, 2000
Ann Warde. Review of 40 Rooms, CD ROM, by Alvin Lucier. Computer Music Journal, 24 (2), 110, Summer 2000.
Women and music technology: Ada Lovelace, Daphne Oram, Pauline Oliveros, Hildegard Westerkamp, Lydia Kavina
invited talk: Sigma Alpha Iota, Hartwick College, Oneonta, NY, 2000
I Nyoman Wenten’s Merapi: Investigating cultural boundedness through improvisation
presentation: Improvising Across Borders symposium, San Diego, CA, 1999
Ann Warde. Change Over Time: Responsibility and Power in the Midst of Catastrophe. Leonardo Music Journal, Vol. 9, 95-101, 1999.
Ann Warde. Review of The Composer in the Computer Age: VI, CD. Computer Music Journal 22 (1), 79-80, Spring 1998.
Anticipating the Unexpected: Using the computer to realize musical models
presentation: University of Illinois, Urbana-Champaign, IL, 1998
Composing Ammalagammala and Helios
presentation: University of Washington, Seattle, WA, 1998
NewSpectPro: A new computer program for modifying sounds using user-defined envelopes
presentation: University of Illinois, Urbana-Champaign, IL, 1996
Ann Warde. Indonesian Metamorphosis: Synthesis and Transformation in Three Compositions. International Alliance for Women in Music Journal, June 1994, 16-19.
Ann Warde. Ways of Hearing. Furnitures: The Magazine of North American Ideophonics, Fall 1993.