{"id":1468,"date":"2018-05-11T19:18:39","date_gmt":"2018-05-11T19:18:39","guid":{"rendered":"https:\/\/zsonics.org\/?page_id=1468"},"modified":"2018-11-12T01:34:37","modified_gmt":"2018-11-12T01:34:37","slug":"imagined-environments-2","status":"publish","type":"page","link":"https:\/\/zsonics.org\/?page_id=1468","title":{"rendered":"Imagined Environments"},"content":{"rendered":"<audio class=\"wp-audio-shortcode\" id=\"audio-1468-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/zsonics.org\/wp-content\/uploads\/2014\/09\/The-Assembled-Ann-Warde-Imagined-Environments.mp3?_=1\" \/><a href=\"https:\/\/zsonics.org\/wp-content\/uploads\/2014\/09\/The-Assembled-Ann-Warde-Imagined-Environments.mp3\">https:\/\/zsonics.org\/wp-content\/uploads\/2014\/09\/The-Assembled-Ann-Warde-Imagined-Environments.mp3<\/a><\/audio>\n<p style=\"text-align: left;\"><a href=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/The-Assembled-Ann-Warde-Imagined-Environments02.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1506 size-full\" src=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/The-Assembled-Ann-Warde-Imagined-Environments02.png\" alt=\"\" width=\"836\" height=\"161\" srcset=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/The-Assembled-Ann-Warde-Imagined-Environments02.png 836w, https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/The-Assembled-Ann-Warde-Imagined-Environments02-300x58.png 300w, https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/The-Assembled-Ann-Warde-Imagined-Environments02-768x148.png 768w\" sizes=\"auto, (max-width: 836px) 100vw, 836px\" \/><\/a><\/p>\n<h4>For multiple instruments, movement, surround sound digital audio recordings<\/h4>\n<h4>A collaborative composition, in 4 sections, characterized by improvisation based on specific animal sounds.<\/h4>\n<h4>Realized with The Assembled, directed by Catherine Laws<br \/>\nUniversity of York, UK\u00a0 (16 June 2016)<\/h4>\n<h4>The Assembled is an improvisational ensemble at the University of York, employing music and movement to realize collaborative performance works. An invitation by its leader and participant Catherine Laws led to a set of individual musical investigations of the sounds of animals personally selected by performers. Listening and discussion facilitated a structuring of four focused, interconnected improvisations:<br \/>\nI. Under the Water<br \/>\nII. In the Air<br \/>\nIII. African Forest Elephants<br \/>\nIV. A Thunderstorm<\/h4>\n<h4><em>Performers<br \/>\n<\/em>Gaia Blandina<br \/>\nAdam Bonser<br \/>\nBarrington Brook<br \/>\nCharlotte Brook<br \/>\nCarmen Troncoso Caceres<br \/>\nCatherine Laws<br \/>\nLynette Quek<br \/>\nMatthew Spalding<br \/>\nAnn Warde<br \/>\nJames Whittle<br \/>\nJames Wood<\/h4>\n<h4><a href=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1470 alignleft\" src=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03.jpg\" alt=\"\" width=\"803\" height=\"222\" srcset=\"https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03.jpg 1920w, https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03-300x83.jpg 300w, https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03-768x212.jpg 768w, https:\/\/zsonics.org\/wp-content\/uploads\/2018\/05\/ImaginedEnvironments_03-1024x283.jpg 1024w\" sizes=\"auto, (max-width: 803px) 100vw, 803px\" \/><\/a><\/h4>\n<h4>Funded as part of a US-UK Fulbright Scholar research award (2015-16)<\/h4>\n<h4><a href=\"https:\/\/zsonics.org\/wp-content\/uploads\/2015\/11\/Fulbright.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-204 \" src=\"https:\/\/zsonics.org\/wp-content\/uploads\/2015\/11\/Fulbright.jpg\" alt=\"\" width=\"163\" height=\"33\" \/><\/a><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>For multiple instruments, movement, surround sound digital audio recordings A collaborative composition, in 4 sections, characterized by improvisation based on specific animal sounds. Realized with The Assembled, directed by Catherine Laws University of York, UK\u00a0 (16 June 2016) The Assembled &hellip; <a href=\"https:\/\/zsonics.org\/?page_id=1468\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"onecolumn-page.php","meta":{"footnotes":""},"class_list":["post-1468","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/pages\/1468","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1468"}],"version-history":[{"count":27,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/pages\/1468\/revisions"}],"predecessor-version":[{"id":2492,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/pages\/1468\/revisions\/2492"}],"wp:attachment":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1468"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}