{"id":3110,"date":"2022-12-06T14:50:00","date_gmt":"2022-12-06T14:50:00","guid":{"rendered":"https:\/\/zsonics.org\/?p=3110"},"modified":"2023-04-03T16:46:55","modified_gmt":"2023-04-03T16:46:55","slug":"recent-upcoming","status":"publish","type":"post","link":"https:\/\/zsonics.org\/?p=3110","title":{"rendered":"Events"},"content":{"rendered":"\r\n
10 October 2022
The Performer Composer in the Second Half of the 20th Century <\/a>
Orpheus Institute, Ghent, Belgium
John Cage, Pianist<\/strong><\/h5>\r\n
12 March 2022
Book Symposium Panel Discussion: Women in Pragmatism: Past, Present, Future<\/em>
<\/strong>Society for the Advancement of American Philosophy (SAAP)
Annual Meeting, Rollins College, Winter Park, Florida
Instigators of Experimental Artwork: Resonances of Jane Addams in arts education <\/strong><\/h5>\r\n
11 November 2021
ReVIEWING Black Mountain College 12: Revisiting John Cage.
Black Mountain College Museum and Arts Center, Asheville, North Carolina.
Collaboration and Experiment in Cage and Hiller\u2019s HPSCHD<\/em>:
<\/strong>Messages for a future global world.<\/strong><\/h5>\r\n
15 December 2020
Sound Instruments and Sonic Cultures: An interdisciplinary conference.<\/a>
National Science and Media Museum, Bradford, UK.
Divergent Sonic Cultures: Investigating the vocalizations of large whales and birds.<\/strong><\/h5>\r\n
4 March 2020
HPSCHD@50, Krannert Center for the Performing Arts,
University of Illinois, Urbana-Champaign, IL
Harpsichord performer<\/strong><\/h5>\r\n\r\n\r\n\r\n
3 March 2020
HPSCHD@50 Composers Forum, University of Illinois, Urbana-Champaign, IL
Happening People Smiling, Cage ‘n’ Hiller Dancing<\/strong><\/h5>\r\n\r\n\r\n\r\n
28 February 2020
HPSCHD@50 Symposium, Northwestern University, Chicago, Illinois
Happening People Smiling, Cage ‘n’ Hiller Dancing<\/strong><\/h5>\r\n
\r\n\r\n<\/h5>\r\n
27 February 2020
Society for the Advancement of American Philosophy
at the American Philosophical Association Central Division Meeting, Chicago, Illinois
Jane Addams, Progressive Education, and John Cage\u2019s HPSCHD<\/strong><\/h5>\r\n
\r\n\r\n<\/h5>\r\n
26 February 2020
Evergreen State College, Olympia, Washington
Composing for Voices, Computers and Instruments<\/strong><\/a><\/h5>\r\n
\r\n\r\n<\/h5>\r\n
14 February 2020
Experience :: Music :: Experiment, Orpheus Institute, Ghent, Belgium<\/a>
Peirce\u2019s Aesthetic of Experiment<\/strong><\/h5>\r\n\r\n\r\n\r\n
30 January 2020
Women in Pragmatism International Conference, Barcelona, Spain<\/a>
Instigators of Experimental Artwork: Resonances of Jane Addams in arts education <\/strong><\/h5>\r\n
\r\n\r\n<\/h5>\r\n
15 November 2019
Feminist-Pragmatist Philosophy Colloquium, St. John Fisher College, Rochester, New York.
Instigators of Experimental Artwork: Progressive traces of women arts educators<\/strong>. <\/em><\/h5>\r\n\r\n\r\n\r\n

 <\/p>\r\n","protected":false},"excerpt":{"rendered":"

10 October 2022 The Performer Composer in the Second Half of the 20th Century Orpheus Institute, Ghent, BelgiumJohn Cage, Pianist 12 March 2022Book Symposium Panel Discussion: Women in Pragmatism: Past, Present, FutureSociety for the Advancement of American Philosophy (SAAP)Annual Meeting, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,10,8],"tags":[],"class_list":["post-3110","post","type-post","status-publish","format-standard","hentry","category-artwork","category-performance","category-presentation"],"_links":{"self":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/posts\/3110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3110"}],"version-history":[{"count":31,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/posts\/3110\/revisions"}],"predecessor-version":[{"id":3304,"href":"https:\/\/zsonics.org\/index.php?rest_route=\/wp\/v2\/posts\/3110\/revisions\/3304"}],"wp:attachment":[{"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/zsonics.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}