Author Archives: Ann Warde

Events

Posted on December 6, 2022 by Ann Warde

10 October 2022 The Performer Composer in the Second Half of the 20th Century Orpheus Institute, Ghent, BelgiumJohn Cage, Pianist 12 March 2022Book Symposium Panel Discussion: Women in Pragmatism: Past, Present, FutureSociety for the Advancement of American Philosophy (SAAP)Annual Meeting, … Continue reading →

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Sound Installations

Posted on November 1, 2020 by Ann Warde

Three recent sound installations stem from a 2016 installation called Radically Different Perceptions, which included speakers distributed throughout the Orpheus Institute building, in Ghent, Belgium. Each of these three distinct works is in itself a specific realization — a pause … Continue reading →

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2019

Posted on December 6, 2019 by Ann Warde

2019 NYSCA/NYFA Fellow in Music/Sound Tone Deaf Festival, Kingston, Ontario18-22 November 2019Hidden Encounters, interactive sound installationSounds: the Cyprus Scops owl was recorded by Julia WittmanCoyote + Blue Jay recordings: Ann WardeSee links for Sperm whale and Blue Whale + Bearded … Continue reading →

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Hidden Encounters – The Global Composition 2018

Posted on October 21, 2018 by Ann Warde

Conference on Sound, Ecology, and Media Culture Darmstadt University of Applied Sciences Media Campus Dieburg, Germany 4-7 October 2018 more

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Hidden Encounters – Nicosia, Cyprus

Posted on August 23, 2018 by Ann Warde

Interfaces Network Residency European University Cyprus and the Creative Europe Programme of the European Union An interactive sound installation exploring the voices of animals living in Cyprus, at the lovely Meres Bookstore, 33 Pentadaktylou, 1016 Nicosia. Thank you to the … Continue reading →

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Visual Music

Posted on May 14, 2018 by Ann Warde

The Line Theater (1984) is an analog, physical mechanism for making visual music. Made of a black fabric screen framed by wooden two-by-fours, with the help of hooks and other metal hardware, differently sized ropes and threads are manipulated, mostly from … Continue reading →

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VCCA 2018

Posted on April 12, 2018 by Ann Warde

As a composer, sound artist, and researcher, I’m interested in sounds we perceive as “inside” or “outside” performance, and in the ambiguities that may arise at boundaries between them. I’m  exploring this idea in a set of pieces for solo … Continue reading →

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Doubtful Sound

Posted on March 11, 2018 by Ann Warde

Seminar: The Power of Musical Networks Orpheus Institute, Ghent, Belgium 22 February 2018

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Non-Human Temporalities

Posted on November 30, 2017 by Ann Warde

Songs of Black-capped Vireos and Blue Whales Out of Time Conference Society for Literature, Science, and the Arts Arizona State University, Tempe, AZ 10 November 2017

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Experimental Music & D’Arcy Thompson’s On Growth and Form

Posted on October 28, 2017 by Ann Warde

On Growth and Form in Experimental Composition and Analysis: Music by Pozzi Escot and James Tenney On Growth and Form 100 conference – Dundee and St Andrews, Scotland Univerisity of Dundee, 15 October 2017 Research Seminar at the University of … Continue reading →

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