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- Events
- Sound Installations
- 2019
- Hidden Encounters – The Global Composition 2018
- Hidden Encounters – Nicosia, Cyprus
- Visual Music
- VCCA 2018
- Doubtful Sound
- Non-Human Temporalities
- Experimental Music & D’Arcy Thompson’s On Growth and Form
- Amplified Silence @ Ithaca Porchfest
- Music, Animal Sounds, Perception
- VCCA 2017
- Toward a Critical Musical Practice
- Scientific Listening
- Beautiful Sounds . . .
- Spectromorphology, Human Affinities, Animal Voices
- The Spaces of Animal Voices
- Patrick Wood
- “My God! What has sound got to do with music?”
- Humpback Whales: Composers of the Sea
- Erasing the Glitch
- Listeners are Observers and Musicians
- Animal Transcriptions
- Dawn’s Chorus
- Chambers – for Alvin Lucier
Category Archives: Presentation
Events
10 October 2022 The Performer Composer in the Second Half of the 20th Century Orpheus Institute, Ghent, BelgiumJohn Cage, Pianist 12 March 2022Book Symposium Panel Discussion: Women in Pragmatism: Past, Present, FutureSociety for the Advancement of American Philosophy (SAAP)Annual Meeting, … Continue reading
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Sound Installations
Three recent sound installations stem from a 2016 installation called Radically Different Perceptions, which included speakers distributed throughout the Orpheus Institute building, in Ghent, Belgium. Each of these three distinct works is in itself a specific realization — a pause … Continue reading
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Doubtful Sound
Seminar: The Power of Musical Networks Orpheus Institute, Ghent, Belgium 22 February 2018
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Non-Human Temporalities
Songs of Black-capped Vireos and Blue Whales Out of Time Conference Society for Literature, Science, and the Arts Arizona State University, Tempe, AZ 10 November 2017
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Experimental Music & D’Arcy Thompson’s On Growth and Form
On Growth and Form in Experimental Composition and Analysis: Music by Pozzi Escot and James Tenney On Growth and Form 100 conference – Dundee and St Andrews, Scotland Univerisity of Dundee, 15 October 2017 Research Seminar at the University of … Continue reading
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Music, Animal Sounds, Perception
Animal Voices in Three Compositions: – Olivier Messiaen, VI. L’alouette lulu (Excerpt With WoodLark) (1956_58) – Dawn’s Chorus (2008) – Imagined Environments (2016) Ithaca College, Ithaca, NY Composition Seminar 25 April 2017
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VCCA 2017
At the Virginia Center for the Contemporary Arts, along with field recording in the Blue Mountains, an overnight autonomous recording I made through an open window unexpectedly captured coyote voices. And during preparation for a performance, I realized there were … Continue reading
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Toward a Critical Musical Practice
Seminar: Sound Work – Composition as Critical Technical Practice Orpheus Institute, Ghent, Belgium 23 November 2016
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Scientific Listening
DisPerSion Lab York University, Toronto, Canada 10 November 2016
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Spectromorphology, Human Affinities, Animal Voices
MuSA Conference Karlsruhe, Germany 1 July 2016
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