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- Events
- Sound Installations
- 2019
- Hidden Encounters – The Global Composition 2018
- Hidden Encounters – Nicosia, Cyprus
- Visual Music
- VCCA 2018
- Doubtful Sound
- Non-Human Temporalities
- Experimental Music & D’Arcy Thompson’s On Growth and Form
- Amplified Silence @ Ithaca Porchfest
- Music, Animal Sounds, Perception
- VCCA 2017
- Toward a Critical Musical Practice
- Scientific Listening
- Beautiful Sounds . . .
- Spectromorphology, Human Affinities, Animal Voices
- The Spaces of Animal Voices
- Patrick Wood
- “My God! What has sound got to do with music?”
- Humpback Whales: Composers of the Sea
- Erasing the Glitch
- Listeners are Observers and Musicians
- Animal Transcriptions
- Dawn’s Chorus
- Chambers – for Alvin Lucier
Category Archives: About
VCCA 2018
As a composer, sound artist, and researcher, I’m interested in sounds we perceive as “inside” or “outside” performance, and in the ambiguities that may arise at boundaries between them. I’m exploring this idea in a set of pieces for solo … Continue reading