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- Recent happenings . . .
- Events
- Sound Installations
- 2019
- Hidden Encounters – The Global Composition 2018
- Hidden Encounters – Nicosia, Cyprus
- Visual Music
- VCCA 2018
- Doubtful Sound
- Non-Human Temporalities
- Experimental Music & D’Arcy Thompson’s On Growth and Form
- Amplified Silence @ Ithaca Porchfest
- Music, Animal Sounds, Perception
- VCCA 2017
- Toward a Critical Musical Practice
- Scientific Listening
- Beautiful Sounds . . .
- Spectromorphology, Human Affinities, Animal Voices
- The Spaces of Animal Voices
- Patrick Wood
- “My God! What has sound got to do with music?”
- Humpback Whales: Composers of the Sea
- Erasing the Glitch
- Listeners are Observers and Musicians
- Animal Transcriptions
- Dawn’s Chorus
- Chambers – for Alvin Lucier
Author Archives: Ann Warde
Experimental Music & D’Arcy Thompson’s On Growth and Form
On Growth and Form in Experimental Composition and Analysis: Music by Pozzi Escot and James Tenney On Growth and Form 100 conference – Dundee and St Andrews, Scotland Univerisity of Dundee, 15 October 2017 Research Seminar at the University of … Continue reading
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Amplified Silence @ Ithaca Porchfest
. . . preparing a performance of Cartridge Music (John Cage, 1960)
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Music, Animal Sounds, Perception
Animal Voices in Three Compositions: – Olivier Messiaen, VI. L’alouette lulu (Excerpt With WoodLark) (1956_58) – Dawn’s Chorus (2008) – Imagined Environments (2016) Ithaca College, Ithaca, NY Composition Seminar 25 April 2017
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VCCA 2017
At the Virginia Center for the Contemporary Arts, along with field recording in the Blue Mountains, an overnight autonomous recording I made through an open window unexpectedly captured coyote voices. And during preparation for a performance, I realized there were … Continue reading
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Toward a Critical Musical Practice
Seminar: Sound Work – Composition as Critical Technical Practice Orpheus Institute, Ghent, Belgium 23 November 2016
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Scientific Listening
DisPerSion Lab York University, Toronto, Canada 10 November 2016
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Beautiful Sounds . . .
in Ithaca NY at the 2016 Porchfest . . . John Cage’s Sonatas and Interludes, for prepared piano, composed in 1948, create unexpectedly inviting, gentle buzzes, bells, resonant gongs, and extended piano sonorities. In-between the piano’s strings are pieces of … Continue reading
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Spectromorphology, Human Affinities, Animal Voices
MuSA Conference Karlsruhe, Germany 1 July 2016
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The Spaces of Animal Voices
During 2015-16 I worked at the Contemporary Music Research Centre, at the University of York, investigating ways to listen to spatial interactions among animal sounds, and to how sound changes as it travels through air and water. How might music … Continue reading
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Patrick Wood
Four Hands Vier Hände Pomfret School, Connecticut November 2015